Total Pageviews

Sunday, 10 October 2021

The Saga of D-Gruppe: Externsteine to Days of Darkness

 




 Back in the mid-1980s when I finally got the first published story of Germanys first super hero team into print I was happy (only a momentary happiness but then -it was the 1980s!). I was far -far- from happy with my artwork. I had been drawing since "a toddler" I was told and never stopped drawing and later at Secondary school I taught others who wanted to try their hands at drawing comics just as a bit of fun. However, as D-Gruppe had been with me since I created them in the tiny village of Dalborn in the 1960s I wanted their first published adventure to look good.

Ben Dilworth looking over my newer pencils on one of his visits to Bristol offered to ink the pages. That was an offer I was never going to refuse!


And so was drawn The Revenge of the Ice Queen / Die Rache der Eiskönigin. There was a brief art preview in Zine Zone before the strip was published in the new comics talent comic Preview -which got a few UK creators their comic breaks. From there the strip was later published in Chris Dohr's Watcher publication in Germany which looked at pulps, TV, movies and comics -it has never been a secret that I hated the re-texting as even a national monument -Externsteine- was miss-spelt but comics is comics.

There is a secret about what D-Gruppes aircraft design was based on and I will tell you now..it's staying a secret!

As it turns out the Ice Queen was probably not responsible for "The Externsteine Incident" that took many lives and that was revealed during The Trial strip as featured in Black Tower Super heroes.  At one point the German company Bastei Verlag were very interrested in developing the D-Gruppe comic and I put in a lot of work and even had the vastly under-rated John Erasmus draw a full colour Deutscher Michael strip.








The final words of Klaus von Happe the diminuitive leader of D-Gruppe that they needed far more power in their ranks was where the story ended. The intention was to add characters in over the following stories but by the time Bastei had expressed their interest Ben was off to Japan and one after another "new talent" fell by the wayside or decided that having to draw more than five pages a month too exhausting and not what they expected (it involved work).

One thing the editor at Bastei wanted was a back-up strip and that was where multi-billionaire LeCorbeau came in. His life had been saved when Pete Forrest and Geni got involved in tackling the Crimson guardian (way back in the first Small Press run of Black Tower Adventure) and LeCorbeau decided that he wanted to set up national groups to deal with super threats (novel idea, right?) and so he went about setting up a new Task Force Europe after its betrayal by Mastermind and then came the South Asian Task Force and smaller versions in Europe combining into the world-wide Special Globe Guard. Anyway, before it gets too confusing, LeCorbeau wanted to set up Tasl Force Germany and Enrique and Santiago Ruiz produced some pages.



 Then Egmont purchased Bastei and...wave goodbye to a year's worth of work!

And so I set to work on drawing everything myself because there is only so long that you can keep things in your head before said head explodes. That meant that all the new members were introduced in a new story -Zeitgeist which had been drawn in the 1980s but what the heck.

To my mind something was always behind the events in Zeitgeist other than the entity calling itself that. But we got to see heroes from other parallels and some nice action scenes before the climatic ending (see D-Gruppe 1-4 or The Collected D-Gruppe). Once the story was redrawn and new text added and then published it was out of the way. Or so I thought.




I then woke up after...a ten minute long sleep (nothing new there) not feeling too good and I said outloud "Zeitgeist isn't dead!" Which is how I realised that my brain had once again been hiding things from me and thus proving that I was correct and not paranoid!

This time the action started below D-Gruppes HQ and we finally found out just what Zeitgeist was -"Maupassant" is a BIG clue! But even more was later revealed in The Green Skies as the story unfolded and I realised that several characters in unconnected books all had links to the menace involved. It's annoying when you sit there and think "I drew that years ago and its linked to this?!"




But before The Green Skies Ben Dilworth had returned to some D-Gruppe stories such as a one off Evangeline story, one involving David Holmes (the British lawyer now a dual British-German national and fighting crime as the Owl); one based in Earth Parallel 667 in which that D-Gruppe investigate a large "object" in space and then the much acclaimed "The Grandfather Paradox" and who knows whether he might return to our German heroes?



However, before the first adventure was published I had planned for the rather dark ending -alluded to by various characters including the Gipsy Sorceror Tarot. It is said that the first meeting between von happe and Waldmeister was "orchestrated" but by whom? In the last published D-Gruppe story von Happe is given an item and while everyone else is mind-swiped he knows what the item is for and when to use it.



In The Green Skies it is clear that Holmes and others suspect something is going on. That the predicted "Days of Darkness" are coming.  But von Happe vanished along with other team mebers while pursuing a UFO in The Return of the Gods so who knows what to do? And can whoever does know actually do what needs to be done when it means killing a member of their own team and a close friend?   



Only time will tell and in 2019 it was the 50th anniversary of my creating D-Gruppe so perhaps a big special is long overdue?

Friday, 8 October 2021

Face Book

 






 I was asked why I am not updating the Black Tower Face Book page. Now I am quite sure that I have explained why before...I think. Anyway....

Back in September 2020 I had been operating my FB Black Tower Comics & Books page for ten years. I had been sharing from CBO to FB since...2008 or just before. Suddenly FB had a report that I was a spammer and my blog was blocked from sharing items. I pointed out to FB hpow long I had usedd and posted to its "platform"...nothing. I appealed 20 times and then I found out that since the EU/UK laws forbidding FB and other U.S. companies spying on and using its users' info the company had literally stopped bothering correcting UK problems or mistakes or tech errorts. This s apparently happening to a lot of FB users in the UK but I am not sure about Europe.

I just automatically appealed and each time I got the message that FB did not have sufficient staff to look into all the problems. At that point I realised FB was really dead as social media. People I know were getting 24 hour or 3 day bans for posting material going against (don't laugh too heavily) "community standards". One was banned for three days for posting a photo of a stick of of seaside rock (candy) -long and pink with a white centre and the text running through it "Bite me". Pervert deserved the ban.  Then someone posted a photo of a Mars bar semi wrapped and a comment that the bars were no longer made the same way (many years ago they replaced the old bar filler with Milky Way cream). Banned as the image went against community standards. Long brown, rippled bar that you put in your mouth....wait. Maybe FB HAS got a point -I unfriended that pervert straight away!!!

Anyway, if I cannot post to my "social" page it did not affect the business page, right? Wrong. Cannot post blog links there and even worse is that I found I had messages and comments that I firstly could not respond to and then...I could not see. Also, FB has made a business page a nightmare to use and jam in junk that has NOTHING to do with your business and  "Posts" no longer exist as they used to. It took a lot of work to build up the FB business page and then I realised that it may be getting high views but it was pointless since I could not communicate with any readers/visitors. 

I remembered Yahoo 360 and years of work and Yahoo then pulling the plug without much warning. Then Yahoo groyups and over 20 years of work and...Yahoo pulled the plug. Google+ with 4 million views then...Google pulled the plug. It goes on and on and I just realised that Blogger may not be perfect but more people visit it and if Google pulls the plug on Blogger it won't make much difference as I have back-up at WordPress (see Blog List).

The internet was pushed as THE best way to sell goods and books. Never was -just a great deal of illegal uploads and downloads robbing creators of money they need. Social media was THE tool to use. Nope. There are a large number of people who will tell you that ios a lie and was used basically to get people to sign uip so their data could be mined.

So if you have asked questions on the BTC&B Farce Book page -sorry but I cannot see them but if you ask here or on the Black Tower blog I will be more than happy to respond!

Friday, 24 September 2021

The Phantom Detective -Legacy of Herbert Kirby

 




The Phantom Detective has appeared in a number of Black Tower publications -in recent years with Ben Dilworth writing and providing art as well as a cameo in The Green Skies. His actual back story is given in part in Black Tower Adventure volume 1 number 4 (1985) in the old Small Press days (I miss photocopiers!!)


A teller of ghostly stories as well as an active combatant against all supernatural evil, the fact that after his death -or rather at the point of death- he was offered the chanceto continue as a "Watcher" was dealt with in Return of the Gods in which he had a cameo.

If you are interested in checking out some of the publications he stars in here is a ...checklist!

All characters are (c)2018 Terry Hooper-Scharf/Black Tower Comics & Books  Art/story(c)2018 B.R. Dilworth




Paperback
A4
B&W
20  Pages
Price: £4.00 (excl. VAT)
Prints in 3-5 business days


Ben Dilworth returns with twelve illustrated text stories of horror and the ghostly introduced by none other than The Phantom Detective and guest starring Exndragon!

Illustrated short prose stories were part of old comics and why not enjoy a good read prose as much as a comic strip read?






THE COMPLETE PHANTOM DETECTIVE
Ben R. Dilworth
black & White
A4
Paperback, 
36 Pages
Price: £6.00 (excl. VAT)
Murdering Ghouls. Satanic Masses. Demonic Possession. Werewolves. Poltergeists. Vampires. To many of the uninitiated these are just “things that go bump in the night” -TV or film fantasy. 
In the Victorian era, The Phantom Detective used his decades of occult study to help those in danger from these “things” and he paid the ultimate price…. ….
Yet he continues to help and to observe as best he can for now he is a true... 
PHANTOM DETECTIVE! 

From one of the UK's most under -rated comic creators, Ben R. Dilworth, comes new life breathed into and a new slant given to the adventures of the former mortal who has become one of the Watchers -forbidden to act even to save a life from supernatural forces.  Except "rules are there to be broken or at the very least stretched until you can see through them!"

The much anticipated collection from the co-creator of Peter Wisdom and artist of Mark Millar's The Shadowmen!



A4
B&W
14pp
Price: £3.50 (excl. VAT)
Prints in 3-5 business days

There are times you REALLY want to see the sight of a cab coming along the road. Then there are times that you REALLY do not want to see a cab...especially the Hellfire Cab and its passenger.

For the Phantom Detective it could all just be another supernatural scuffle before tea and scones.

Or it could be DEATH ?


You Might Think HUNDREDS of Pages of Art Gave ME A Headache....


With each book I publish (and there are 180 of them) I go through at least 4-6 cover designs. The covers are, after all, the first thing potential buyers see. The original Return of the Gods: Twilight of  the Super Heroes cover collecting the original six part series from Black Tower Adventure was pretty basic with Jack Flash on the cover...


However, when expanded from 90+ pages to over 300 a new cover was needed. I did think of various designs and tried them -from battling super heroes and gods to a hero walking through rubble. In the end I decided to go a whole different way with a cover design that was in keeping with the story but kept what was inside a secret -no spoilers. 

Oddly enough this design was praised by reviewers so it just goes to show my modest genius at work (did you just laugh??!)


There was the same problem when it came to The Green Skies. Spo much goes on in the story that picking a scene and putting it on the cover would not work. I tried various designs and rejected many (I believe I had twenty different cover designs -some I later used as promo images).

This one of the Many-Eyed One manifesting itself I thought "Cool" then looked again. I then asked myself; "Is this amateur hour?" and it was thrown out.


I then thought that maybe a plain black cover with the stark text might work -as below. I thought dramatic and eye-catching but then I looked again and the thought "great t-shirt design" killed it! 😁


I then thought about the main menace being faced, its origins and a huge "eye" in space came to mind but these all turned out looking not very good but then I found an old astronomy photo on one of my discs and tampered about with the colour and it looked even more "eye-like" than before.  I was quite happy with it -which is not a good sign.


I then decided it had to go and my first thought was to make the cover look a little like the old pulp sci fi (yes, I wrote "sci fi" get over it) covers I used to go through at the legendary Bristol Book Centre in Gloucester Road, Bristol. That led to this...


As there were three parts to this final volume of the trilogy (a trilogy within a trilogy if you will because I love pushing those boundaries 😂😂) I thought volume I would have "London", volume II would be "Paris" and volume III would, of course, be "New York". I put all the covers together and got a warm fuzzy feeling. "Covers done" I said....oh dear. Two days later I looked them over again and the word "crap" was uttered.

Oddly, back in...1987 (?) Ben Dilworth once said: "You are going to produce a comic book masterpiece one day and say how good it is. Next day you'll say 'this is shit!'" Ahem. Well, I am not known as Terry "Edge Lord" Hooper-Scharf for nothing! (actually it cost me £25 to have someone call me that).

I thought about a plain cover with a figure -a character that has an important part in the story- on it. I could not get it to look good. A colour background with a figure? Nope. In fact, to just get the first cover involved 10 mock-ups of varying designs.

Jack Flash is seen in silhouette and the background is the end paper from an old Victorian book (inside of the back cover). I messed about with changing colour shades and contrast and a few alterations and....


I didn't even (consciously) realise that there were 'eyes' in the pattern so...SCORE!

For what Jack Flash was going through the background colour seemed to fit but then it came to the next cover featuring the Druid in silhouette.  I tried to use the same colour background but it did not work. It worked for Jack Flash but the Druid was a very hippy-trippy guy and...eccentric. 

I had various tie-tied patterns and none worked so I got outthe Spirograph...no matter what I tried it was not clicking but I then found an image on an old disc quite by accident. I have no idea where it came from but it looked okay but the colours did not work. So I played around with colour saturation and filters to the point that it became a different colour to the original altogether.

It worked. Breakdown cancelled.  And believe me, I was about to throw the whole new cover design out.


Background fot the third volume was being a pain and as it happens I had to read up on something pertaining to foxes and as I put a note in the back of the book I realised that the colour end paper looked...lovely. I scanned it then toyed about with colour and contrast then saturation and....Varik Dann (or is he? Best not to ask him) had his background.

Now, having gone through all of this (don't panic about wasted paper as the back of rejected art gets used for print outs or note taking) I was still going from foot to foot with "Does it look right?  Will it work? Can I trust my own covers?" At one point I thought "No!" and looked at other possible designs. Nothing worked because the battling super heroes covers just did not fit.

In the end I finished the book editing and took another long look at the covers and...decided to go with them. Why I put myself through this I have no idea 😅😅😅 but I do. 

From Return of the Gods to The Cross Earths Caper and finally The Green Skies the covers seem to have a natural progression. 

What started as "Invasion Earth 1987" has finally been completed in...2021. Around a thousand pages over five books and a nervous breakdown all the way! "The UKs First super hero epic!" someone wrote and I think that over simplifies the story which has so many twists and turns and not one written script anywhere -and all of the notes for "What will happen" were ignored and that flexibility allows the twists and turns and being Independent means I edit and decide what goes into each book and there are no constraints put on me by a publisher.

So, that's how I chose the covers.

The Invasion Earth Trilogy Store links.


Paperback, 
A4
Black & White
331 Pages

Sunday, 12 September 2021

I'm Happy With The Reviews...IT's The Sales I Need!

 


Started to do some other work and an email pops up. It was from a long time comic collector in the U.S. who purchased the final part of the Green Skies Trilogy and tends to be hyper-critical. I thought I might as well get the "bad stuff" out of the way first so I checked the email. Usual pleasantries followed by "Why the **** did you have to self publish this? Don't you have any comic companies over there? Have you tried Image?"

My response was "Did you enjoy it then?" Here is some of what he wrote:

"First out I kinda thought is this meant to be some kind of surreal indiecomic thing? Then I got to the bit with the wizard (he means "Druid" -THS) and I thought okay. Then I got dragged in. S*** each chapter  pulled me in more and before I knew it I was readin thru the next book and  the twists and turns had me. I thought, okay that means "this" is gonna happen...but goddammit all it wenrt in a totally new direction and by the third part I ended up eating a cold meal because I was not gonna put the book down. This is ******* incredible."

I guess he enjoyed it?

Then he asked "Is there another epic planned -I'm in!"

No. No. No. The years its taking to get something published I'll need a couple good psychics to finish off for me! Nothing as big as the Invasion Earth Trilogy again. My eyes and hands are definitely beyond that kind of epic story with all the plot twists which, incidentally even I had no idea were coming until I drew them as I never use a script. So thank you, Stevie but no more epics of this kind.

I would also like to thank the European reviewers, Claus, Bert and Simmi for their kind comments and as for the suggestions of having a European company translate the books to make them more sellable...no one has been interested so far.

Now back to the other work.

Busier Than Ever -If Only I Got Paid!!

  When it comes to wildlife and suspicious death of wildlife there is no 9-5 work. As soon as I went to the online store to start the repricing another dead fox was reported and that takes official paperwork for a post mortem, storage of the carcass until a PM and transporting from A to B. And hair sample gathering for fox DNA testing.

Then an injured fox. A fox cub with mange and on top of that people trying to pull me back into "the old work" (oh no I did my 40 years!).

As aqonsequence I cannot even think of re-pricing the books at the moment so it gives potential buyers a chance to get them at a lower price. The option, by-the-way, was to withdraw books then re-publish when I got time, however, with the new print on demand company prices that would mean even higher pricing.

I have not picked up a pencil in three months because for 4 months I have been battling authorities to take the fox deaths seriously and I have been working from morning til around 0200 hrs every day.

To those who have bought books -THANK YOU.

Now, I have more work to do and none of it involves comics!

Tuesday, 7 September 2021

On Legacies

 


Allow me to point out that I personally think that if anyone in human history should be allowed to avoid the Grim Reaper it is me. Seriously.

However, that ain't gonna happen and this is why certain things will happen "come the day" and I have explained this before but it seems certain people object to what I have done.

Firstly, there is no family that has supported my business financially or by words or deeds therefore I know that, along with my very large comics collection dating from Victorian to 2021 including many rarities will be "disposed of".  Several times I have had it made clear thatthe bothersome collection will make a big bonfire. That is no joke. No one is interested in the bother it takes to sell and post on or whatever. Amongst all the funeral pyre paper will be my sketchbooks and art. In all honesty I cannot say that bothers me as I won't be here 😆😆

That is the first very basic fact but it leads into certain decisions regarding Black Tower Comics and Books.

I will not be here so what is the point having books still for sale since the money will only accrue in a defunct bank account?  I made it all legal some time back that when I croak so do the books and store as they will have no worth to me.

If I cannot get a living out of the published books while I am alive then ...get the point? This is what outrages many who frankly have absolutely nothing to do with the matter and certainly no say in it since they have not even purchased any of my books!

There is talk of my "legacy" but look at Bob Monkhouses huge comics collection -sold off or grabbed for a pittance.  Denis Gifford's huge collection -ditto. It goes on and one with people trying to profit from the person after their deaths. 

At the monent (before I start pushing up prices) the Golden Age collection reprints are too cheap but offer far better quality than the original books the material came from. Buy the entire run and it is still far less than some sellers are trying to sll a common Gerald Swan album at. It's been proven how wonderful my "legacy" is because all the loud talkers with their "Oh, I will buy that one!"...never have. Leave the books so someone can buy, grab the material and use it for their own gain? No.

With Print on Demand a book is only printed when ordered. That's it. My copies are going up in smoke so even if, say (for the sake of fantasy) 100 copies of a book are sold that is still a very rare book so the value increases as not all copies will survive. Here is an example: Steve is a comic collector and he collects for speculation and buys only books that seem likely to increase in value. He purchased ten books from me at a total cost of £50 (my cut from that was £9.50 after tax and other annoyances). Why did he buy the titles he did?

"The UK has never had full blown graphic novels involving British characters in cosmic style events so these will be rare"

Steve was talking about Return of the Gods and The Green Skies which actually have characters from most country but I get his point. In fact, two comic bloggers havetwice called me out of "fibbing" about the sales of The Green Skies because "...there is no way that you can publish books like this and publicise them the way you do and not make sales and money". Well, curiously enough the only person to have purchased copies is me just to send them to certain people for opinions etc. Sales figures at the POD cannot be altered!

Even a couple of blogs -actually two in the United states and one in Europe- telling their readers that Black Tower are comics to get into has not helped. 180 books selling like treacle passing through honey.

Therefore I am practical. My eyesight and health declines and my books do not make me enough to pay the bills why would I leave them to sell after I'm dead?

People need to understand that Black Tower is MY business. I make the books and publish them and it is my decision what happens in future -the antagonism toward me on this matter is the craziest. My response is always the same: you want to support me and keep my books going -buy them!

So from now on when this matter crops up I am going to ignore it as it is wasting my valuable time.

Comics stuff will resume shortly.