If people have seen past posts on how I work they will know that, due to the eye problem, I moved to drawing from A3 paper to A4. I also like drawing panels and then then cutting and pasting them onto A3 which gives you a lot of opportunity to design a page.
Sales being what they are my cranky old Mustek A3 scanner cannot be replaced but that does not mean I cannot draw, cut and paste to A4 instead. Currently drawing panels on A4 copier paper to cut and paste onto A4 (unless I can repair the A3 scanner).
My intention is to paste the panels on a page with background of some type and these unfinished SGG Earth Strike part 2 panels should work well with that and, no, I do not use a computer for art and so, especially as I do not have Adobe, I do not scan and paste to a page on that.
I like the feel and look of the ink on paper and how the mind (I still about have one) can design a page "as you go along" and as an Independent publisher you can experiment. It is what I miss about the seat-of-your-pants 1980s where people like Myra Hancock produced lino cut art zines or Ben Dilworth experimenting with different paper types, printing on acetate or even using templates and auto car spray paint to put covers together. I'm getting old and I have a HUGE box of 1980s zines that can still inspire since the 1980s were the Small Press Golden Age.
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