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Sunday, 30 May 2021

D-Gruppe: Death Comes From The Hand Of A Friend


On seeing this post over on Comic Bits online Mr Dilworth remarked: "What?"

Ahh, bless him he has a short memory. You see I had everything plotted in my mind and a few notes and discussed them in correspondence with Mr Dilworth as well as Andrew (Fantomex) Hope. Back in 1986!

The original ending I had in mind I had thought about when I created the yteam in the 1960s in Dalborn, Germany.  However, I did not have the skills or knowledge back then to work out how I was going to work it all out.

Later, when I was discussing this with Messrs Dilworth and Hope I had worked it out.  Unfortunately things got in the way as Bastei were bought up by Egmont and the project was cancelled. Task Force Germany was to have appeared and then things developed. 

As it is Task Force Germany did appear over the years and last time it was in The Green Skies. Between that and the earlier The Trial story (Black Tower Super Heroes nos. 3-7) leader of D-Gruppe, Kopfmann and several other members vanished while pursuing a UFO in Return of the God: Twilight of the Super Heroes. That in itself was to have led to D-Gruppe -Lost In Space which I was touting around on the old blog back in...2000 (so I am a little behind in things).

It's all going to be very dramatic and.....will it actually happen though? I have other projects to finish and so I have no fixed date and it just may be that D-Gruppe in space and Days of Darkness combine.  Who knows? Not me!



Saturday, 29 May 2021

Tales of Terror III....the one with my friends on the front cover

 














Wanna see the rest?


A4
B&W
62pp
£6.00
https://www.lulu.com/en/en/shop/terry-hooper-scharf/tales-of-terror-iii/paperback/product-16qnwmd7.html

Each year Black Tower likes to bring you a little bit of extra horror/ghostly goodness in Tales of Terror. 

In the third volume there are contributions by Ben R. Dilworth -Krakos and Merriwether. While Paul Ashley Brown brings us the tales of The Worlds Best Mom and revisits his fear of trees! 

Darron Northall and Danny Jenkins bring us the horrific tale of Bud and Lou Go To Hell while George McQueens The Bat deals out justice and Art Wetherell's one pager is designed to make men wince! 

And Terry Hooper-Scharf finally includes issue 1 of The Paranormals to make this a true horror/ghost fest book!

Friday, 21 May 2021

Ace Hart the Atomic Man #3

 


20pp
A4
B&W
Text and comic strip
£5.95
https://www.lulu.com/en/en/shop/terry-hooper/ace-hart-no-3-july-2020/paperback/product-669g9z.html


Ace Hart -The Atom Powered Man. One of the UKs first post war super heroes is guided through more action and stories by Ben R Dilworth in this third issue. 

And behind that powerful Atomipower cover you'll find stories including: 

What Is It Good For? 
Stone Cold Killer Box ....
and the story behind the cover -UP Stream!

Ace Hart The Atomic Man #2

 


A4
B&W
20pp
Text and comic strips
£5.95
https://www.lulu.com/en/en/shop/terry-hooper/ace-hart-no-2-june-2020/paperback/product-5667wp.html

Ace Hart -the Atomic Man! One of the UK's first post war sauper heroes is back with his second issue and guided by the creative wizardry of Ben R. Dilworth -all behind the new Atomipower covers!

With titles such as Space Pirates, The Trap, After the Bomb, Unseen and Colonize how can you go wrong? I'm excited and I just edited the book (to be faior I have had a lot of coffee so I could be hyper). 

The British Golden Age of Comics is in safe hands!

Ace Hart -The Atomic Man!

 


A4
B&W
20pp
Text and comic strip
£5.95
https://www.lulu.com/en/en/shop/terry-hooper/ace-hart-no-1-june-2020/paperback/product-mmqe22.html


Ace Hart The Atomic Man -one of Britain's first and greatest super heroes is back in his own limited series created and produced by Ben R. Dilworth.  With an Atomipower cover designed to irradiate your eye-balls

1970, After The Bomb, Arride, 42 and Princess.

All stories complete so if you just want to try one issue you can!

Sunday, 16 May 2021

That's Comics!



 Someone asked if they could read The Return of the Gods:Twilight of the Super Heroes , The Cross Earths Caper and The Green Skies seperately or whether they all had to be read together. I thought I had answered that question before but...

The books are designed so that you can read each one (Green Skies is a three parter so you need to read all three) one and they are self contained. Return has a definite "end" so you can read the book and that's it.  The same applies to Cross Earth while The Green Skies ties everything together and is epic in itself.  All three arcs make up a complete saga.

Some comments:

"I read Return of Gods (sic) and at the end I just sat there and aliens invading, the giant robot, gods and all the other stuff had my mind reeling. this is what comics should be like and if this was in a weekly comic I'd be buying it!"

"Read Rturn(sic) and I thought I'd give the Cross Earths a go. You certainly like twisting plots! After Return I understand why the two characters wanted nothing to do with Zom!"

"I've now read The Green Skies. The plot twists and turns and the number of characters almost mess my head up. I think I get why you divided everything up into chapters now.  I can read a chapter, go away and think about it and realise things that I never noticed -I checked and yeah its all there.  Go to the next chapter and the same thing. I would love to see the scripts for this series they must be voluminous!"

Right. Firstly, Return started out as something that would have been in a Fleetway comic -the story I've told before. I'm glad no one has said "its in black and white -why not colour?"  But had Fleetway gone ahead there were two short-listed colourists so you would have gotten  a colour comic. But as an Independent publisher a colour book would be 3-4 times the cover price.

Above: Dean Willets art pencilled and coloured by Hooper for the initial Return that never got to be published. (c) 2021 BTC&C 

Taking Zom from his one off very brief -almost cameo- in a 1940s comic and m,aking him the catalyst for what is going on while appearing to be just a bystander was not intentional. Read the next paragraph. It's only in The Green Skies (if you read it) that you realise Zom was involved more than you might think in Cross Earths and the characters were right to "Beware of Zom!"

Now, scripts. That's how I earned my meagre comics living. Writing for Fleetway, Egmont and Marvel UK.  I only write scripts for other people and those are written starting with a blank sheet of paper and a vague idea in my head. No complicated notes or thumb nails (why bother -just do it). When it comes to Return, Cross Earths or Green Skies there is no script or plot. Well, there were notes for Green Skies (GS) but I basically threw them out rather like I did notes for Return

While I was working on GS I stopped as I wanted to check something completely different in the Krakos Sands of Terror book (reference to a god) and on turning a page found Krakos briefly confronting The Many Eyed One -the dark evil...read the book. Anyway, I looked and realised that I could notremember writing or drawing that scene but as I tend to clear any project out of my head once it is done I wasn't too shocked.  However, as often happens, I then found a stack of books toppling and Journey of the ID fell and opened up...and I saw the cameo of The Many Eyed One...I then realised elements from this book were in GS and they all tied in (which is why a redesigned Journey of the ID is included in GS).

Other elements go back to the original Cosmic Fulcrum, Ultimate Game and Invasion Earth 1987 storiesI have no idea how the mind works these things out and never sit down to think about it -it just happens and that's it. I did try to work it out one day, with the help of someone, and had Part I of GS been scripted there would have been over 300 pages of script with notes to tie this or that in further along. I left it at that because I thought it was pointless but the other person eventually worked out that I would have had some 1000+ pages of script and notes for Parts I-III and my guess is that typing that lot up would have taken years in itself and my slow blled diabetic eyes and arthritic hands would have stopped working by page 200!

To put that number of pages into perspective. In the late 1980s (there is a photo of the scene somewhere) I worked and lived in a two berth caravan. On the desk is an old cast iron typewriter and next to it two reams of recycled copier paper that I typed scripts on. The two reams seen are in fact scripts for 4, 6 and 12 issue series as well as others scripts for publishers. A ream is hidden under thetable and that was full of typeed projects and scripts for radio and other non comic work. So in total about 1,500+ pages. I wore out type writers (I was typing from 0800-0200 hrs at times) which is why I got the cast iron one.  That number of pages is in the medium figure range that was worked out for a GS script. 

As I have a couple thpousand A3 pages of art that are hard to store plus lots of A4 work imagine the problem I'd have with 1,000-1,700 pages of script and storing them! And what purpose wpould that many pages serve other than to be burner fodder?

No script, plot twists and so many characters is the reason why I have someone proof read a book before publishing!

Also I had to design the look of the book -covers etc as well as putting them together and there were some 10 rejected covers for Part I, 3 for Part II and Part III had 6 rejected covers. Taking this all in now it is not surprising that my hand did not want to work for weeks after and that my eye sight became blurry (oddly, my mother always claimed something else would do that to me).

That's comics!




Thursday, 6 May 2021

The Red Planet Got To Earth Before Earth Got To It....Scientifically that is a fact

 


Back in the 1970s when I had dreams of becoming a comics publisher ("had" dreams? But I am publishing...just not making money 😂😂) I spent good money on a numbver of "acquisitions" that I had big plans for. I was young. I got ripped off.  

The first was Magazine Enterprises Captain Marvel or "Captain M" because I loved the character when I first saw it in the 1960s and Myrn Fass kept calling me "kid" and...got my money!  Another was Marty the Man from Mars (I had no idea at the time that he was Public domain and that's why I later kicked myself for throwing away money. Hey, young and stupid. 

So Captain M appeared in Return of the Gods: Twilight of the Super Heroes in which he sustained "major injuries" and then appeared in Black Tower Super Heroes 8 (a cameo) in Any Old Iron (Boy)?  While Marty had an original 1950s strip printed in Black Tower Gold and may have paid the ultimate price as he raced back to Mars to warn then of an oncoming attack in The Green Skies.

However, Dennis H. Wilberton and Jo Long presented the idea of returning Marty as a one off fun comic. Ben Dilworth persuaded me that it would be a good idea and so...why not? As yet, the comic has not been scheduled as there are already 179 at the online store and several waiting to be published.  Will Marty see print in 2021 or 2022? No idea but....



Sunday, 2 May 2021

Comic Career and CV (Its old but answers the questions)

 


 

                           e-mail:hoopercomicsuk@yahoo.com

                                       blacktowercg@hotmail.com

 

 

 

 

 

                                                            SKILLS

 

    Author, script-writer (comics and TV/radio), penciller, inker, letterer and editor. In these days of specialisation, I can take a project from start to finish. Either as an editor, or undertaking any one (or more) of the tasks required to produce a superb finished product.

 

   From flyers and advertising materials to blogs, newsletters and comics, I can move a project through from an idea to delivery, providing quality at every stage. 

 

   I began in the era of photocopy-cut-and-paste. Although things have developed and I now use a computer to put together publications, press releases and promotional material the old skills are still useful when a computer breaks down –usually at the most awkward time.

 

   My reputation has been built on the ability to meet and more often run ahead of deadlines.  On more than one occasion, when something or someone has fallen through at a publisher’s, I’ve been asked to put together comic scripts and other material within a few hours. 

 

   Having interviewed many creators and publishers and talked to comic buyers/fans as well as retailers, I have a good grasp of the current market. This is helped by running Comic Bits Online which currently has had more than 12 million views world wide since 2011. I have also previously put together British Comic Industry reports, accurately predicting future trends.   The last report [2007] looked at various age group breakdowns in European countries supporting comic industries and analysed the sustainability and viability of a rejuvenated British comics industry based on UK age groups. This was later up-dated for the 2016 industry paper UK Comics Looking For Long Term Investment (of which there were English and Chinese versions).

 

   I am perfectly able and willing to work as either part of a team or by myself.  My commitment to a project is always 100%. 

 

   In twenty years of packaging and publishing books, as well as distributing in the UK and beyond, I have come across most of the problems and hazards of the industry. My contingency planning is excellent.

 

   As a talent spotter I have helped various creators break into the comic industry, names such as John Royle, Jon Haward, Duncan Fegredo, Art Wetherell, Matt Brooker et al.

 

   Outside of comics I have worked with companies such as Yorkshire Television and HTV to create ideas and programmes, for example Channel 4’s “Carry On” Film weekend in 1999.  I have also featured in documentaries and TV/Radio news programmes in my capacity as a naturalist and Police Consultant.

                                      

                                                        CAREER                         

 

  I’m currently working on the comic and 3D animated series, The Paranormals (based on the work produced for Fleetway after it lost the Tonka Toys Supernaturals licensing) as well as a series of short TV horror stories, Tales From The Grave.  Other projects are currently optioned for, or being looked at by various TV companies.

 

 

   1976- I was an exotic animals consultant for UK police forces, farmers groups and other organisations.

 

   2008-2021 New line of very successful black and white comic albums published.  These can be found listed here: http://www.lulu.com/hoopercomicsuk

 

 

   2009  my first book, Some Things Strange And Sinister, was published.  The follow-up, Some More Things Strange & Sinister, was published in January, 2010 while The Hooper Interviews containing the best comic creator interviews from 35 years of journalism was published in 2011 and the wildlife book The Red Paper in 2012 while Pursuing The Strange and Weird: A Naturalist’s Viewpoint was published in 2014. Strange & Mysterious Beasts (2019), UFO Contact (2018), Unidentified Identified (2018), Contact! (2019)

  

   2000 --- I have worked as an interviewer for SBC Online and currently am owner/Editor of Comic Bits Online [CBO] www.comicbitsonline.com .  CBO is tagged as “highly influential” by comic fans and publishers as well as by comic store owners.  The site has attracted over 3 million views, this figure is increasing as it gains in reputation.

 

   Also helping to promote Cinebook-The 9th Art and Classics Illustrated UK as well as showcasing new talent.

 

   I am a recognised as a British comics historian, having met and interviewed many of the creators who worked for comics in the UK  and have also traced the history of UK comic publishers and German comic book history.

 

   2000-2005  I  produced packages of work for companies in India, Hong Kong and China.  As an industry advisor I have worked for smaller companies in countries such as India, Canada, Singapore, China, Europe and the US.

 

   1992-2004  published Annual Reports On The British Comics Industry looking at trends and sales as well as predicting trends, carrying out comic buyer   surveys and so on.  These began with 75% accuracy but by 1997 were between 89-97% accurate on predictions and trends.

  

   1984-2012 self publishing comics as well as publications on a wide variety of subjects under the Black Tower banner.  1983 saw the first printed story of the first German super hero characters and team, D-Gruppe, still going strong today.  Black Tower Comics and Books is now the UKs biggest Independent Comics publisher with over 90 new  titles published since 2010.

 

   1984-1994 worked freelance as a writer/artist/editor/agent in comics as well as

comics journalism for MU Press, Blue Comet Press, Fantagraphic Books, Eros Comics, Dorne, Fleetway, Marvel UK, IPC and others in the United States, UK and Europe.

 

   During this period I also produced large numbers of single panel gag cartoons for agencies in Germany such as Boiselle-Lohmann and the Baaske Agency –these going to magazines and publications around Europe and with the latter agency these were collected in book form.  I also worked as a freelance editor in comics and publications ranging from wildlife to astronomy and science fiction.

 

   1982-1984  took over the running of Comic Haus comic store in Detmold, Germany, which was failing badly in an unstable market.  I turned the store into a profit maker and was then given control of the Hameln Comic Haus, whose situation was also turned around; both stores became very profitable going on the be sold for a considerable sum.

 

   1979-2004  I have published numerous papers on the topics of both wildlife and history

 

   1978-1983  worked at Silver Surfer Comics shop, Totterdown, Bristol.

 

   1974-1978  worked within the printing industry, beginning  as a paste-up assistant, designing and then laying out/pasting up newsletters, commercial flyers,etc.,etc..,I swiftly moved on to designing and compiling publications as well as advertising material.

 

   1977  began writing articles on astronomy, meteorological phenomena space exploration and other general subjects –something I have continued with up to today in the UK and Europe as well as United States. In the UK the main market has been the County Magazine trade.

 

   During the late 1970s, I was employed as a sales representative, helping to promote toys such as The Micronauts, Atlantic Soldiers, Action Force figures and other products.  This involved visiting retailers, setting up displays, promotional material and so on.  This led to my designing a series of toy soldier style sets for Hong Kong manufacturers such as “Dawn of Man” and “Space Frontier.”